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Categoría: DataLab

  • 28
    Abr
    DataLab

    Ángel Arroyo

    What the data says — the most popular film genres of all time

    What the data says — the most popular film genres of all time

    A data-driven look at the most popular film genres of all time, using IMDb’s dataset. See which genres dominate, which audiences rate highest, and how cinema has changed

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  • 2
    Mar
    DataLab

    Ángel Arroyo

    The Polarization of Giants: Why Big Film Industries are More Divisive

    The Polarization of Giants: Why Big Film Industries are More Divisive

    For decades, the dominance of Hollywood and major film hubs was unquestioned. However, within critical circles, a consensus has emerged: the neoliberal grip on the arts has led to a decay in cinematic substance. In his seminal work Capitalist Realism (2009), Mark Fisher argued that it is easier to imagine the end of the world

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  • 18
    Feb
    DataLab

    Ángel Arroyo

    Decoding Cinema: What 70 Years of IMDb Data Reveals About Global Film Trends

    Decoding Cinema: What 70 Years of IMDb Data Reveals About Global Film Trends

    While I advocate for non-positivist approaches to art analysis, there is no reason to deny that numbers can be powerful allies. They help us understand consumption trends, where the money flows, and a few hidden secrets along the way. That is why we dove into the IMDb database—one of the most comprehensive in the world,

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  • most-popular-film-genres-imdb-data
    What the data says — the most popular film genres of all timeabril 28, 2026
  • The Polarization of Giants: Why Big Film Industries are More Divisive
    The Polarization of Giants: Why Big Film Industries are More Divisivemarzo 2, 2026
  • Decoding Cinema: What 70 Years of IMDb Data Reveals About Global Film Trendsfebrero 18, 2026
  • Film Noir Double-Indemnity
    What is Film Noir? An Inquiry Through Paul Schraderenero 27, 2026

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Cine Theory lives where the poetry of the frame meets the precision of the laboratory. We deconstruct cinema as both a ghost of light and a structure of data, tracing its narrative echoes from classical theory to the interactive horizons of transmedia.

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